About Book

The book applies René Girard’s theory of violence and the sacred to the analysis of Latin American cultural production, particularly through the lens of Shakespearean influence. It introduces the concept of “poetics of emulation,” which describes how marginalized groups engage with hegemonic cultures through strategies of imitation and resistance. The work provides critical insights into power asymmetries in cultural, political, and economic contexts, offering new interpretations of canonical literature and promoting understanding of Latin American intellectual and artistic identity.By addressing cultural violence and asymmetrical power relations, the book informs discussions about identity politics, post-colonial reconciliation, and the role of cultural expression in peacebuilding. It supports community engagement through arts-based initiatives and intercultural dialogue aimed at countering systemic violence and fostering social inclusion. An innovative and rigorous scholarly work that expands violence studies into cultural and literary domains with a focus on Latin America’s non-hegemonic perspectives. Strengths include interdisciplinary approach and original theoretical contribution; however, its literary focus might limit direct application to policy. Its depth in cultural critique and connection to violence theory is a unique asset in peace and conflict research.